Filipina Actress Heaven Peralejo on playing second fiddle to Julia Barretto. Heaven Peralejo is basically a television actress, singer, video blogger, and painter. She is currently playing the main role in the Pinoy Teleserye Replay “Bagong Umaga”.
Filipina Actress Heaven Peralejo on playing second fiddle to Julia Barretto
I was glad and yet dubious of myself,” proclaimed Heaven Peralejo, who confessed to having had blended sentiments after discovering that she would supplant Julia Barretto ahead of the pack part of the Kapamilya dramatization arrangement, “Bagong Umaga.”
The 20-year-old entertainer, alongside the arrangement’s five other primary cast individuals, had an internet meeting with correspondents as of late. It was there where Heaven admitted about getting the offer a couple of days before they were planned to enter the lock-in set. She added that she should play an alternate character.
“Furthermore, since I had next to no an ideal opportunity to plan, I was happy that the creation group, chiefs, and my costars helped me get into character,” Heaven stated, alluding to the group ran by codirectors Carlo Artillaga and Paco Sta. Maria, and costars Tony Labrusca, Barbie Imperial, Yves Flores, Michelle Vito, and Kiko Estrada.
Julia allegedly asked off on the grounds that the entertainer was not yet prepared to work all day during the pandemic. She is additionally the most recent Star Magic ability to move to Viva Artist Agency.
“I can say it’s a surprisingly positive turn of events. I think about this my greatest break,” Heaven announced. “For me, there’s actually no first nor subsequent option. It’s tied in with the timing. What’s intended to happen just occurred.”
Rizza “Mamu” Ebriega, top of the RDE show unit, conceded that “Bagong Umaga,” which used to be named “Kara Y Cruz,” had experienced many difficulties on account of the administration forced lockdown and the possible closure of ABS-CBN.
At the hour of the media gathering, there were just two taping days left for the whole group. This was the reason Mamu stated, “It’s futile for us to prop up back to that issue. I’m exceptionally content with the six individuals we have now. They’re dedicated specialists. They’re exceptionally agreeable. We believe that this is intended to be.”
The other cast individuals concurred with Mamu. They said they have other more squeezing worries to deliver than to choose not to move on, such as managing the mental impacts of being in control for just about three weeks in light of taping, Tony said.
“It was extreme, particularly to start with. You’re extremely passionate in light of the fact that you’re out of your customary range of familiarity. In contrast to the old taping schedule, where you’re ready to return home to your family, we can’t leave,” Tony said. “Then again, I see myself as fortunate in light of the fact that everybody is pleased. We deal with one another like family. I was half-hoping to see demeanor from these individuals I work with when we were on our third week in lock-in. Yet, I’m glad to state that everybody is OK.”
At the point when he’s finished with “Bagong Umaga,” Tony will move to the lock-in set of the film adaptation of his fruitful BL (Boys Love) arrangement, “Hi Stranger” for Star Cinema.
ne thing I’m exceptionally energetic about—acting.”
Yves was among the individuals who previously experienced what it resembles to be in a lock-in set. He was important for the now-dead war dramatization, “A Soldier’s Heart.”
“We remained in Tanay at that point. There was no TV and no [phone] signal. We were the main individuals in the territory. We struggled in light of the fact that we needed to adhere to new principles and experience the ‘new ordinary’ in front of every other person,” reviewed Yves. “This lock-in set is an improvement since we’re remaining in lodging with Wi-Fi. We can contact our families at whatever point we need to.”
Barbie professed to have separated in view of gloom during the principal week. “I was accustomed to being with my family constantly. I cried in light of the fact that I miss my Kuya to such an extent. It’s acceptable that my mother is here with me now. What’s additionally acceptable about this group is that we’re similar to a family. In case I’m struggling with a specific undertaking, I can without much of a stretch methodology the group for counsel. It’s significant that you can impart your concerns to individuals, para ‘di naiipon.”
She added: “Envision how hard it is for us to simply be in our lodging. At the point when we look through our windows, we see the individuals outside, yet aren’t permitted to be with them. Nonetheless, I’m thankful since I know many individuals have lost their positions. I’m the family provider, so I’m generally match-up. I’d do anything for family.”
For Kiko, being in a lock-in set required significant changes, “yet everybody is dealing with us so as to draw out the best in us as entertainers. For that, I have nothing to grumble about,” he brought up. “On the off chance that you miss your family, you can generally do FaceTime. Lock-in is acceptable on the grounds that it gives you the center. You additionally have nothing to do except for to consider your content. It’s likewise the ideal arrangement for entertainers since they will be in character longer.”
“Obviously being endlessly from my family is hard for me,” Heaven said. “What filled in as my method for dealing with stress was the point at which my mother and grandmother would send me food. Some way or another, I sensed that I was still at home.”
“I’m doing this for my mother,” Heaven said of her mom, Sheila, who is a malignancy survivor. “I will maintain propelling myself in control to support the family. I work for their joy and security. I additionally need to have the option to, in any event, diminish the pressure that my mother is feeling when she watches this.”
The arrangement can be seen non-weekend day evenings on free TV through A2Z Channel 11 and online by means of the Kapamilya Online Live channel.